It’s 1967
Right now, right here in this poem,
So you can turn on
Your little plastic lime-green transistor radio
(Made in Japan)
And listen to Alex Chilton growl
Give me a ticket for an airplane,
And maybe you’ll stare
Long and hard into your orange
Percolating lava lamp,
But no, wait a minute,
It’s 1974, you want to take off your clothes
And run naked through a movie theatre,
Or it’s 1976, you just want to dance,
Or maybe you’re not really sure
What cotton picking year it is.
If that’s the case, buddy,
If you’re having that much fun,
If you’re giddy
From sniffing too much model airplane glue,
Or you’ve had way too many Pepsi Colas,
And now you just want to float yourself down
And back inside the time/space continuum,
There’s really no point
Asking me for directions.
You see, I invented this poem,
I’d only wind up telling you,
Listen to me good, you silly fellow,
I’m a crotchety old man,
I’ve got a squirming
Hairy thousand-legger
Bug up my butt,
And I’m living in my cellophane bag
And it’s miserable here
In my fish market wrappings
And I’m suffocating even as we speak,
And if you really want to know,
Well, okay, I suppose
There’s no harm stating the obvious,
Yes, that’s right,
It’s 1972.
*
Remington Murphy received his B.A. in 1980, and his M.A. in 1983, both in English from Temple University, where you can’t major in English anymore. In the 80’s he edited the Magic Bullet Science Fiction Anthology, then in the late 80’s/early 90’s he ran R.E.M. Press, which gave him an opportunity to publish some fine poets he met in graduate school, such as Sylan Esh and Michael Graves. In 1990 he published his own poetry chapbook, “Courting the Black Widow,” and then in 1993 he had a full length book of poems published, “Fear of Vision” (Arkada-Arch, New York). He has also published a collection of masques (e.g. short dramatic pieces written in verse), “Boogaloo” (Mellen Poetry Press, 2004).